Letter in reply to HPTBC's Mrs. E. Robert Hottenstein from Donald D. Donohue, antique dealer of Falls Church VA, dated 08/01/1969. No copy of the letter from Mrs. Hottenstein has been found.
"Letter No. 2" is printed in pencil in the upper right corner. This apparently refers to a series (numbered 1 to 6) of inquiries to various sources about the De Turk property made by Mrs. Hottenstein.
The subject is the location of a door and its hardware from the first floor, south elevation of the DeTurk house, and the possibility of purchase by HPTBC. Mr. Donohue's reply is negative.
Letter Aug 14, 1969, by Mrs. E. Robert Hottenstein in reply to the Aug. 1, 1969 letter from Donald D. Donohue. There is further discussion of the De Turk house door and its hardware, and the details necessary to have reproductions of these made if the originals cannot be purchased.
Letter from Donald Donahue, antique dealer of Falls Church VA, dated Feb. 13,1970, in reply to a letter dated August 14, 1969 from Mrs. E. Robert Hottenstein, , to. A copy of the letter from Mrs. Hottenstein is posted in record DTHTX10.
"Letter No. 3" is printed in pencil in the upper right corner. This apparently refers to a series (numbered 1 to 6) of inquiries to various sources about the DeTurk property made by Mrs. Hottenstein.
The subject is the location of a door from the first floor, south elevation of the DeTurk house discussed in previous exchange of letters. Mr. Donohue indicates he can be of no further help in procuring the door from the current owners.
However, approximately 40 years after receipt of this letter, the estate of the owners in Virginia donated the original door and its hardware to the historic Preservation Trust. These precious artifacts are preserved and exhibited by the Trust.
Letter in reply to HPTBC's Mrs. E. Robert Hottenstein from Laurence A. De Turk of Kutztown. No copy of the letter from Mrs. Hottenstein has been found.
"Letter No. 1" is printed in pencil in the upper right corner. This apparently refers to a series (numbered 1 to 6) of inquiries to various sources about the De Turk property made by Mrs. Hottenstein.
The letter covers many aspects of DeTurk genealogy and local history in the area, topgether with details on the properties and buildings involved.
Perspective drawing of the Jacob Keim “Manor House” from the southwest, published in the copyrighted April, 1975 issue of “American Folklife, A Monthly Newspaper Devoted to the American Culture”. This image and the text excerpts are published here with the generous permission of Richard Shaner, Publisher, Managing Editor, and principal contributor to the essays and captions of "American Folklife."
In the text accompanying this rendering, Mr. Shaner observed that “A colonial balcony on the south side of the Keim Manor was altered when the home was given a huge porch which currently covers two sides of the manor. Upon investigation the staff discovered that the old porch ceiling still contained the original out riders to the colonial balcony…. Also incorporated in the porch roof line on the south side was an original out rider for the colonial pent which joined the balcony. This out rider gave…the exact measurement for the depth of the original colonial pents and an idea of their pitch.”
The perspective of this rendering suggests a symmetry in the façade that did not exist in the main elevation of the original 1753 house. The added bays to the east [right] of the door and balcony date to about 1800. The originally asymmetrical placement of the door in the east end-bay resulted in a “side-passage” alignment of the kitchen entry and second story balcony. Most of the antecedent and contemporary houses with a balcony were central-passage “Pennsylvania-Georgian” types such as “Grumblethorpe” in Germantown [Lithographic perspective view in "Quaint Old Germantown," Plate VIII], the Peter Wentz house in Worcester Township and Muhlenberg Houses in Trappe (both in Montgomery County), and “Bellaire” in Philadelphia [see "Worldly Goods," p. 84, and Kornwolf, Vol. two, p. 1223]. All houses cited except Wentz currently display a balcony surround of neo-classical turned balusters and molded handrail; Wentz’ rendering is scroll-sawn “splat” form, apparently based on the choir-railing at Trappe Lutheran Church.
The Keims were wood turners by trade, producing lathe-turned spindles and possibly balusters in the nearby and contemporaneous workshop structure southeeast of the house. Nonetheless, the vernacular Georgian houses cited above, with centrally-aligned balconies with turned balusters, would not seem to provide compelling templates for re-producing a balcony for the decidedly Germanic, asymmetric, and uncoursed masonry façade of the Keim house. Currently under consideration is a plain or edge-beaded board form, as suggested by a board railing on the second floor of the house.
The porch on the west gable wall and south eaves wall mentioned in this article was almost certainly added in the 1930s, based on photographs and analysis in record KR11PH3 [see photos and accompanying text in archive records KHPH8--1002.01.027, KHPH9--1002.01.044 & KHPH13--1002.01.057], and is without historical precedent as to form or appropriate scale with respect to the earliest bays of the house. The intermediate porch [see KHPH9--1002.01.044]--probably constructed circa mid-nineteenth century after disintegration or removal of the original pent roof--did not wrap around the corner or extend across the gable wall. Neither porch roof tucks closely under the projecting stone flashing course, which therefore does not effectively protect the joint between the porch roof and the masonry wall from moisture infiltration, as it did for the original pent roof [see pent on road-front (north) eaves wall, which provides a virtual template for the proposed pent roof on the south eaves wall].
Other period or recreated early details rendered in this drawing include: central chimney on original bays; gable-end chimney on early addition [right bays]; pent eaves on west gable; pent roof on south eaves wall; second storey “colonial balcony”; brick oculus vent in west gable apex; brick relieving arches; western corner of original pent roof on north eaves wall; stone-arched cellar entry; northwest corner of 18th-century ancillary building [right edge of drawing].
See KHTX2--1002.01.021 for the full text printed below this drawing reproduced on page 12 of the issue cited.
Archive record KHTX8--1002.01.048 is the text accompanying a conceptual northwest perspective drawing of the original manor house by Gerald O’Brian, rendered without the early eastern addition, and published on page 12 of the April, 1974 issue of Richard Shaner’s “American Folklife.”
Laurence Ward, Updated 2020
Mrs. Kenneth (Shirley) Kane, former resident on the DeTurk farmstead, replies to a Feb. 16, 1967, inquiry by Mrs. E. Robert Hottenstein of HPTBC on property details she may recall.
In addition to this one-page letter of March 15, 1967, Mrs. Kane's second sheet is a copy of the original question list submitted by Mrs. Hottenstein.
The third page contains Mrs. Kane's replies to the questions.
"Letter No. 4" is printed in pencil in the upper right corner. This apparently refers to a series (numbered 1 to 6) of inquiries to various sources about the De Turk property made by Mrs. Hottenstein.
Mrs. Hottenstein's original covering letter of February 16, 1967, has not been found.
See RELATED for photos from Mrs. Kane
